Arquivo para a ‘User interaction’ Categoria
Thought from on High and Communion
06
Apr
What kind of knowledge is this that encompasses knowledge “from above”,
beyond the human, but without contradicting it, Morin’s response and others such as Martin Buber, Emannuel Lévinas and Paul Ricoeur seem to lead to the same point, to go towards the Other without reservation.
Two mystical falsifications are possible in this direction, one that denies conscience and respect for the Other, those who appeal to a false Christian religiosity, the Bible is clear: “If anyone declares: “I love God!”, but hates his brother, he is a liar” (1 John, 4:20-21), but there are those who cry out for the extreme opposite of the materiality of faith, to these the biblical answer is also clear: “Man shall not live by bread alone” (Matthew 4 ,4), curiously opposes and does not dialogue.
Curious because the vision of the last supper of Jesus with his disciples, his great memorial and his eternal presence in his materiality (flesh and blood), is the cause of much controversy and divergence, both true that he broke the bread, and true who declared his divinity.
Thinking things from above cannot fail to have its concreteness, its materiality, you see that bread is not wheat, but wheat transformed by human hands into bread, just like wine.
It does not fail to have the most sacred and divine aspect when asking the disciples to do this in his memory and in his name, thus it is renewed and divinized by the human hands that repeat it.
How to understand communion without the presence of the Other, without dialogic with the opposite, without this paradox of understanding that even with opposition, new horizons are possible, as advocated by the hermeneutic circle, which asks that preconceptions be left “in parentheses” before .
We have a vision of truth, logic and rationality, but true communion is only possible with a step further, the belief that something divine also belongs to the Other, to the different and the opposite of my worldview, there is no communion without this , there is only tolerance.
I have always asked myself why wars, hunger, misery, injustice among men, my answer today is that there is no true communion among men, perhaps some small tolerance, some respect that hides true interests, perhaps a respect that is even human but not divine.
The forest bordering the clearing
10
Mar
Modern man, victim of ideologies, cultures and religious apostasy lives only with the awareness
of individual freedom, without really understanding who is the Other who is not equal, the Korean/German philosopher Byung Chul Han developed this in “The expulsion of the other : Society, perception” (Editora Vozes, Brazil) in which he talks about the adipose emptiness of fullness.
This emptiness has nothing to do with the phenomenological epoché, opening the mind and soul to dialogue and receive the Other, the different, the discourse and the narrative contrary to ours, to later merge the horizons in the “hermeneutic circle”, the emptiness of soul is positive, it elevates us.
Through successive tragedies, the pandemic was the first and will not be the last, and this is not about an apocalyptic discourse, but about the social realization of a civilizing crisis in an increasingly profound and dangerous process, not only in the rulers, but also in personal conscience.
Chul Han goes so far as to say these processes are obscene in “hypervisibility, hypercommunication, hyperproduction, hyperconsumption, which lead to a rapid stagnation of the same. Obscene is the ‘connection of like with like’ (Han, 2022) in short, everything translates into an obscene sameness.
He cites a very illustrative example which is the animation Anomalisa by Charlie Kaufmann (photo), which talks about a speaker Michael who goes to Cincinnati for a lecture and there approaches a person by his voice, Lia is a person who already knows him and came to see his talk and fall in love.
But the hell of the same are the employees of the Hotel, all the same and who want to seduce Michael.
The essay emphasizes erotic love, but this also applies to agapic love, without falling in love and dialoguing with what is different, we live in the hell of the same, in our vicious circle, in an environment full of vices and obscenities, in the worst sense of word.
In the biblical narrative, Moses, who was trying to lead his people to a new path, wanted to stone him and blasphemed against the proposal of a different life (Exodus 17,3-7), even asked for the return of Egyptian slavery (any resemblance to the current politics is no coincidence), and also in chapter 4 of John, Jesus goes to meet the Samaritan woman, a woman and “pagan” and dialogues with her
In the week that women’s day was celebrated, this is important, which is not a biblical detail, but the essence of her message, Jesus, when meeting her, finds her interest strange and says “How come you, being a Jew, ask drink to me, a Samaritan woman?” (Jo 5,9).
The obscenity and sameness of the same not only impoverishes each one, but limits the civilizing process that is enriching the more the different can exist with dignity.
HAN, B. C. (2022) A expulsão do outro: sociedade e percepção. (The expulsion of the other: society, perception). Trans. Lucas Machado. Brazil, Petrópolis: Editora Vozes.
Culture and the great crisis
20
Oct
After analyzing the aspects of homogenization and cultural
colonization, Morin will analyze who the average man is and what culture he consumes, he says:
“The language adapted to these anthropos is audiovisual, a language of four instruments: image, musical sound, word, writing. Language is all the more accessible insofar as it is the polytonic involvement of all languages” (page 45) and, therefore, it is not specific to new media that only enhances them, and it involves more an imaginary than “of the game that overflows the fabric of practical life” (idem).
This is because “the borders that separate the imaginary realms are always fluid, unlike those that separate the realms of the earth” (ibidem), so a man can participate in the legends of another civilization than adapt to the life of this civilization, and so Morin prepares to talk about the great crisis or great civilizing night, which Morin calls “great craking”.
As technical quality improves, it mediates artistic quality, says Morin: “they go up in industrialized culture (writing quality of articles, quality of cinematographic images, quality of radio broadcasts), but the irrigation channels relentlessly follow the main lines of the system (page 50).
Morin separates the cultural currents coming from Hollywood into three main currents: the one that “shows the happy end, the happiness, the success; the countercurrent, the one that goes from The death of a Traveling Salesman to No down payment [AC/DC Rock], shows failure, madness, degradation” (p. 51), but there is a third current that he calls ” black”.
This is “the current in which fundamental questions and contestations ferment, which remains outside the culture industry: it can partly usurp, adapt to itself, make publicly consumable certain aspects of, say, Marx, Nietzsche, Rimbaud, Freud, Breton , Péret, Artaud, but the condemned part, the antiproton of culture, its randium is left out” (idem).
Morin describes this anti-climax at the beginning of chapter 5 “The great ‘cracking”: “long playing records and radio multiply Bach and Alban Berg. Pocketbooks multiply Mlaraux, Camus, Sartes. The reproductions multiplied Piero dela Francesca, Masaccio, Césanne or Picasso” (p. 53), culture seemed to be democratized by the cheap book, the disc, reproduction, as recommended by Walter Benjamin, but the result was vulgarization, because the “culture cultivated” is neither the mainstream nor the specific in mass culture.
The imaginary leaves the rites, parties and dances and goes to radio, television and cinema, there “those ghost spirits, geniuses who permanently pursued archaic man and reincarnated in his parties” (page 62), now they are “rushed away by printed culture”, mass culture breaks “the unity of archaic culture which, in the same place, all participated at the same time as actors and spectators in the party, rhythm, ceremony” (p. 62), spectator and show are physically separate.
This transformation of a “party man” follows what we call audience, audience and spectators: “the immediate and concrete he becomes a mental tele-participation” (p. 63(, this mass media (now confused with the networks, which is something else), while “reestablishing the human relationship that destroys the printed material”, “it is at the same time a human absence, the physical presence of the spectator is, at the same time, a physical passivity.” (page 63 ).
Mass culture maintains and amplifies a “voyeurism”, more broadly: “a mirror and glass system, movie screens, television videos, glass windows in modern apartments, Plexiglas in Pullman cars, airplane shutters, always some something translucent, transparent or reflective separates us from physical reality” (pages 72-73) and all this was prior to the new media, depositing to them only this great “cracking”, is to ignore the construction (or historical deconstruction) of the imaginary , folklore and festivals, which began even before the last century with printed culture, enlightenment and idealism.
Attempts to reactivate “cultivated” culture are not lacking, as we have already discussed, through the same mass media that vulgarize and destroy the substance of human culture, there is no lack of vivid works by Van Gogh that Akira Kurosawa animated in cinema, of large public events with “ animated video-mapping” by Vang Gogh (made at the Atelie des Lumiéres, in Paris, photo), who presented in 2018 the work of Gustav Klimt, also animated.
The cultural crisis is not just its own work, its root is the thought and development of a mass culture of idealism, of an objectivism that ignores the human.
MORIN, Edgar. (1997) Cultura de massas do século XX. (20th century mass culture). trad. Maura Ribeiro Sardinha. 9ª. edição. Brazil, Rio de Janeiro, Ed. Forense.
In the pleasure of the text there is a dialogue
02
Sep
In the previous post there are Barthes’ expressions on
literature, writing and text, and we have already conceptualized the idea of inscription which is supposed to be supported, writing and the cognitive aspect and in the text the linguistic, artistic and “installation” aspect, and it is this is where his book “The pleasure of the text” is analyzed.
The book despite theoretical aspects is in fact a pleasure to be read, there is dialogue and mainly pleasant surprises, such as, for example, a semiological space, a kind of place between two margins: “an obedient margin, according to, plagiarism (…) the canonical state of the tongue and another movable, empty (…) these two margins wax, are necessary ”(page 40).
It yields more classic literature: “by Zola, by Balzac, by Dickens, by Tolstoy) it carries with it a kind of weakened mimesis: we do not read everything with the same intensity of reading; a rhythm is established, leisurely, with little respect for the integrity of the text ”(page 17)
Proust, Balzac and Tostói deals in a single line of ruptures, “the very rhythm of what is read and what is not read that produces the pleasure of great stories: Proust, Balzac, Guerra e Paz will sometimes have been read , word by word? (Proust’s happiness: from one reading to the next, we never skip the same passages) ”(page 18).
He recommends how to do the real reading: “Read slowly, read everything, from a Zola novel, the book will fall from your hands; read quickly, in fragments, a modern text, that text becomes opaque, timely for our pleasure: you want something to happen, and nothing happens; because what happens to language doesn’t happen to speech: what “happens” *, what “goes away”, the gap in both margins .. “(page 19).
Contrast the text with the theater or the cinema: “In the text scene there is no limelight: there is no one active behind the text (the writer) nor before anyone passive (the reader); there is no subject and object. The text prescribes grammatical attitudes: it is the undifferentiated eye that an excessive author (Angelus Silesius) speaks: ‘The eye with which I see God is the same eye with which he sees me.” (pag.52).
It reveals the secret of another book of his: “Old, very old tradition: hedonism has been repelled by almost all philosophies; only the hedonistic claim is found among the outcasts, Sade, Fourier; for Nietzsche himself, hedonism is pessimism ”(page 74), the book quoted in the previous post that goes far beyond hedonism.
BARTHES, Roland. (1987) O prazer do texto. Trad. J. Guinsburg. Brazil, SP: Editora Perspectiva. (portuguese edition in pdf, in english edition pdf)
Digital influencer, the power in new media.
25
Feb
Digital influencer is a new area of expertise in the media, since the first bloggers
they exist, they talk about curious things from serious topics, to cooking, fitness, sports or anything that is on the rise at a given moment, those that are successful mean a lot in in terms of statistics and funding, but little in terms of serious and political content.
I quote from a Brazilian Felipe Neto, around 32 years old, I didn’t go check it out, I just read it somewhere, sometimes he’s smart, sometimes comedian and ironic, he talks about everything, especially unpublished cultural facts, like the Passos Family that formed a “ trupe ”that won with a carnival satire marchinha (*primary sing of carnival) “The fault is of the PT (left party)” on CBN radio won the marchinhas contest.
They say he has millions of followers; I didn’t check it out and there are also “robots” and “influencers” capable of producing values, but the visualizations are really astronomical. You must be unaware of Christian Figueiredo, who is around 21 and has already launched a book “Eu sou loko” (I´m crazy) and has already done marketing for Colacoca (or other) and Disney, and if it goes to a mall it will drive teenagers crazy, ask your son, nephew or grandson who he is , 50% chance that they will know.
The Santa Catarina´s Luba, Lucas Feurschütte. he is around 25 years old, and has already made a successful video with Christian Figueredo asking: “Are you a gay”, there is a third party that I don’t know who participates, but maybe he’s also successful, his success is Luba TVGames ( around 230 thousand followers), I will not exhaust the list, I just point out an unknown universe of those over 30 years old, at least the vast majority, young people are under their enormous influence.
If your son is a teenager, pay attention to these names: Júlio Cocielo, who got involved in a controversy for making a racist comment about the player Mbappé, oh this you know, another name is Luccas Neto, 25 million subscribers and billions of views,
The third in Brazil is Kéfera Buchmann do 5inco Minutos channel, I don’t know how ironic it is with the American program 60 minutes, but it talks about beauty, sketches, parodies and has a very fine humor and 11 million followers, Whindersson Nunes, who once in a lecture I played with him and all teenagers reacted, and the adult who would say the conversation did not understand anything, and of course, Felipe Neto.
From other countries all I know is youtuber PewDiePie, a Swedish comedian around 30 years old, I discovered that his name is Feliz Arvid Ulf Kjellberg, and also those from Instagram, but there are “common” media names like Cristiano Ronaldo and Messi players. soccer, Beyoncé and Selena Gomez singers, Justin Bieber singer and others, personally I am a follower of friends and family.
It’s all I know, I dedicate myself little to these conversations, but the desire for power made me go after what young people are concerned about, in 3 or 4 years they will be in college and I don’t want to miss the joke, or the conversation, or the “ power ”that people of our age lost to young people.
Oh, it’s all media people, yes, but the new media philosophers (its comm
Disruption, do you know the most used words?
04
Dec
The year 2018 will be marked by several disruptions, among them the artificial intelligence
that has come to stay, you may think that it is long, but where there is more code is neither on the phone in facebook, but in the car, so it is a disruption.
The second is the use of words in Instagram that have become common and not everyone knows, the hashtag #instagood should be used only for the best photos, but users ended up using it so much that it is the second most used word in Instagram (with number of use of 574.190.28, below just #love that went from 1 billion.
The third one in Instagram is also little known and long: #photooftheday, but if you read it correctly you will see that it is simple: the photo of the day, more than 407 million if it is joined to another word used in the same way # picoftheday would probably be the second .
It will be a bit difficult to know what the word “fashionable” was in 2018, but in Portugal because of a humorous program “Gato Fedorento”, the word “esmiuçar” known to Brazilians, here it came into fashion in 2009, because of excellent mood Ricardo de Araújo Pereira, I promised to read it last year (see my post) and I did not regret it.
There is still no elected word, the initiative in Portugal is from Porto Editora, there are polls on the site www.palavradoano.pt until December 31, so only in the new year will we know.
In English I read on websites that fit the perfect “perf” and “lineswoman”, our English line judge would be the referee of American football, I think it can mean women decided or make a decision.
In Brazil, fake news was widely used, besides the electoral uses of # elenão and #mito, nothing more depoliticized, gave in what gave, not even the future government has a clear future ahead.
The evolution of situations of religious fundamentalism throughout the world, and perhaps now also in Brazil, may create a new word, but there is undoubtedly a return to nationalism and religious foundations unprecedented in history, until peaceful Buddhism is affected.
What word was used for this other than fundamentalism? Not yet. What word was used for the return to nationalism, even in Europe? None, so my conclusion in my posts, there is a diagnostic problem, the word would be thought night, then use a Greek word: APORIA.
Paul Allen died
16
Oct
Co-founder with Microsoft’s Bill Gates (photo), was fortunate enough and was in fact the great developer
of Microsoft, Bill Gates had worked before Microsoft only in a version of Basic language, it was he who suggested the purchase of QDOS, developed system by Tim Paterson when he works at Seattle Computer Products, where MS DOS came from, whose sale to IBM is the origin of Microsoft’s millionaire project.
Paul Allen was familiar with Xerox’s Palo Alto MVT system, which was an inspiration for early versions of Windows, and later invested in Explorer in a heavily competitive version with Netscape, which triggered the so-called Web browser war.
Paul Gardner Allen created a foundation with his name in 1988 to run philanthropic projects; between 1990 and 2014 he donated more than $ 500 million to more than 1,500 nonprofit organizations, most of them for technology, arts and culture projects, but also a significant slice of social development (about $ 100 million).
He died in the 65 years old, cancer victim in his hometown of Seattle, where he owned the basketball team.
The Crystal Palace and the digital era
10
Sep
Byung Chull Han describes in her that the concepts of telecommunications, she was previous and 
fundamental to the internet, must be reflected with great ontological seriousness, since it is the one that designates the procedural form of densification in numbers of interactions and monetary values, it is calculated that there are ten million e-mails per minute and one trillion dollars a day (VÁSQUEZ ROCCA, 2012).
This high density occurs both in the greater and easier possibility of meeting between agents, either in the form of (relational?) Transactions or in the form of collisions, and this describes in a certain way what resembles the so-called Crystal Palace (idem) .
The Crystal Palace of London in 1850 already housed Universal Exhibitions and also recreation centers dedicated to “education of the people”, this sophisticated architecture, one of the most imposing in the nineteenth century, anticipated a globalized capitalism and intended the total absorption of the world that was produced, long before the digital age.
He quotes Dostoevsky and Walter Benjamin even more frequently, and Sloterdijk (2005) uses them in an article where he uses the idea of Dostoevsky that he finds there the cult of Baal as a consumeristic and hedonistic symbol, where a doctrine of “purposes” as a dogma of consumption.
Sloterdijk makes a connection with Benjamin: “The power of the metaphor of Dostoyevsky’s crystal palace for the philosophy of history is best measured when juxtaposed to Walter Benjamin’s interpretation of the Parisian arcades. The comparison is suggestive because in one case as in the other an architectural form was proclaimed as the key to capitalismo, condition of the world “(SLOTERDIJK, 2005, p. 279).
It will be Byung Chull-Han who solves this duality by establishing that there is always a “mystery” that is unveiled and that this is part of the beautiful and the truth, which is gradually revealed.
It is necessary to think that only 4% of the universe is known, that of the call of baryonic matter, that composed of protons, electrons and neutrons, in addition to some subparticles, dark matter that in part is also baryonic and so-called dark energy, of repulsive action that permeates the entire space, are practically unknown.
SLOTERDIJK, P. Crystal Palace. Chapter 33 in Globalen Inneren Raum des Kapitals: Für eine philosophische Theorie der Globalisierung (In the Global Inner Space of Capital: For a Philosophical Theory of Globalization). Frankfurt am Main: Suhrkamp, 2005, pg. 265-276.
VÁSQUEZ ROCCA, Adolfo, “Sloterdijk: Modelos de comunicación ocultoarcaicos y moderno-ilustrados. Para una época de ángeles vacíos. Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas, 2010 Disp.: http://www.ucm.es/info/nomadas/26/avrocca.pdf, Acesso em: setembro de 2018.
Hologram make success
26
Aug
Of unexpected firmness, a singer who is a three-dimensional hologram, Hatsune Miku conquered
crowds for her shows in various cities of Japan.
Hatsune fans, which is a holographic production simulating a 16-year-old girl, shake their luminous apathetic and shake during the show as if the artist were real.According to the Daily Mail report, Hatsune’s voice was created with voice samples from Japanese actress Saki Fujita. All these samples contain sounds that, when placed in series, become words and phrases.
Now the creators of the hologram can compose any song that the “avatar” will sing even without much elaboration.
Alexa: Amazon personal assistant
26
Jun
It may not seem like a new phenomenon in technology since there are wizards like Siri, Cortana
or Google Now, but the fact that this wizard is really personal, that’s why I called the others for voice assistants, is the fact that it learns and stores the data in a private cloud from Amazon Web Service (AWS).
These personal assistants although all grounded by the use of voice there are differences, they can learn from specific people habits and functions they desire, while the voice assistant, as I call Siri and Google Now now empordered by Dialogflow, as we explained in the post above, they can respond and learn from human interaction, but may, if it is desirable to organize their own database.
Alexa (because I’m the personal assistant I think is masculine, but it can be the same) is centralized in the Amazon cloud and has its own equipment that is Amazon Echo, a column always connected to the Internet via WiFi that is attentive to dialogues of its “owner”.
Streaming music services using Spotify or Pandora, you can read the news of the main newspapers you prefer, inform the weather forecast or the traffic on the way to work, can control all equipment at home that are Smart Home, including it can identify and tell about compatibility, plus its capacity goes beyond.
In addition, it promises to check basic things like solving math accounts or getting into a conversation and even telling jokes, over time this bank and this ability will evolve.
But beware, we have already written here about the myth of singularity (especially the book by Jean Gabriel Ganascia), the idea that this will turn a monster and control you is less true than to individualize and stop talking to friends and relatives
