Arquivo para a ‘Museology’ Categoria
Ame Agaru and pandemic
19
Aug
The film by an assistant to Akira Kurosawa, Tadashi Koizumi, has this
name “After the rain” (Ame Agaru, 1999) was a script by Kurosawa that Tadashi inherited, the first point that can be highlighted in this film is the relationship between man / nature that limits human action and they are stuck in the middle of a path waiting for the rain to pass, like many others also have a samurai.
But he will have to perform a task that is not very worthy of a samurai, to get money for people who stay there can eat, this is my analogy with the pandemic, from the time when everyone is trapped in the house, an analogy I make with social isolation.
The protagonist of the film is a character of the type “jidai-geki” (the films that are inspired by the history of Japan), it could also be a film about the “autumn of a samurai”, there is another script film made by Kurosawa’s heirs called “Rhapsody in August” (1991), in this the director was Kiyoko Mura.
This worldview of not conceiving man apart from nature, in times when ecology was still a marginal topic, now with the rediscovery of nature we have an interesting analogy to be made, nature limited us behind a virus, and yesterday we saw temperature spikes low in the south of the American continent, temperatures have been 20ºC below zero in Rio Grande (Tierra del Fuego), according to data from the National Meteorological Service (SMN) of Argentina.
In the USA where it is summer, the high temperature record was in the “death valley”, 54.4ºC a record very close to the highest temperature ever recorded in the region, which was 56.9ºC in 1913, according to the National Meteorological Service ( American NWS), nature shows its signs of reaction to the pandemic ecological action of centuries.
Returning the rain in the middle of a forest where poor people pass, at a certain moment the samurai finds himself in the condition of helping those people due to the long period they are isolated, and when he leaves he is faced with a murderer that the samurai will prevent a a duel that could end in death, and for this reason the feudal lord who owns those lands decides to employ him as a swordsman, there remains a qualm that is to accept money, which is dishonorable for the samurai.
The Samurai decides to do it for a noble purpose, which is to have food for those people who are retired there, almost all of them poor because they were making that way through the forest, when they were prevented from proceeding by the rain.
If the message at that time was little appreciated, today with the economic situation that we will have after the pandemic, the message is noble and social.
Below a link to see the film:
https://www.youtube.com/watch?reload=9&v=1mR0KV-c9EY
The Lady of God and Greek tragedy
14
Aug
The Greek tragedy Oedipus Rei was analyzed by the poet Hölderlin,
where he uses the term aorgic for the search that Oedipus does to know that it is, since it was donated to a pastor by father Laius to raise him, to avoid the tragedy predicted by the oracle Delphi, and to complete the tragedy Oedipus ends up marrying his own mother.
The term aorgic here is used to understand the corruption of human nature, and it can have a new meaning with each new human tragedy, it is Hölderlin’s sense when saying that “where there is fear there is salvation”, we must fear not only the pandemic that has already it is a disaster, but what can come from inhuman and agonizing after this tragedy.
There is no lack of apocalyptics, however the interesting thing would be to think beyond the tragedy and invert the role of Jocasta for a mother who defends and wants her children safe and sound, and so in a human reinvention we would look not at Eve of human creation, but at Mary who gave birth to the divine son.
It is not only religious prejudice that deviates from this deep sense of human fertility and motherhood, it is the relevance of the role of women in the background, Hölderlin’s analysis involves the paradoxes that commonly constitute the tragic, such as the human and the divine, and the poetic task of modernity as a possible task for any and all poetry, so its cultural plan cannot eliminate the tragic, but must also include the divine.
It is this misogyny of the human to the divine that denies any and all roles of women, Mary should be only a religious theme, but also the divine linked to the tragic, Pietá although remembered and revisited by so many authors, hides the role of the desolate mother before the a faint son, also Salvador Dali in his painting Christus Hypercubus places a female figure at the foot of the four-dimensional Christus, inspired by his wife.
Christians are ignored by the biblical passage of the evangelist Luke (Lk 1,43): “How can I deserve that the mother of my Lord comes to visit me”, and the Lord in this case is not only the divine-human son who will be born of Mary , but also the Lord God of Mary and Isabella, who says this “full of the Holy Spirit” (Lk 1,41), so the relationship is Trinitarian and aorgic, after all the Christmas event is wrapped up in the mystery of the laws of the universe that over it acted.
In the midst of the pandemic it would be extraordinary if the same mother of Pietá was with humanity in her lap (Matris in gremio) and could, in a tragic and divine inspiration, help the humanity that faints and sees an increasingly darker future ahead, the mysteries of Medjugorje and Garabandal (mysterious appearances) may not only be children’s fantasies (today all adults), but the divine revelation about the human tragic, if only it is true, where there is fear, there is salvation.
Between tragedy and idealism
11
Aug
The big theme during the pandemic, which attracts crowds
is happiness, not by chance, since happiness was in everything that is now closed: the mall, the cinema, the houses of orgies and drinking, the simple ecstasy of being in a frenzied crowd for some frivolous reason, after all it is the frivolity that everyone wants to come back, there will be nothing great to penetrate the tragedy of a pandemic, it is necessary to find the culprits and punish them for banishing frivolous life and putting us all in constant tension, in fear and far from simple enjoyment.
Nietzsche wrote about The Birth of Tragedy, and blamed Empedocles for his death, but it was Hölderling who will write about Empedocles’ Death, it was he before Nietzsche who rediscussed the tragedy, and the tragic of the tragedy, in a dialogue with German idealism and that’s when he coined his most famous phrase: “where there is fear there is salvation”, almost in the same vein as Cassius Clay who became Mohammed Ali: “it is the lack of faith that makes people fear challenges”.
The pandemic is none other than the fact of understanding the limits of the human, the persistence of tragedy in our lives and destinies, and the fatality of death, those who never thought of it are those who fear it most now, it is never so close of all, but tragedy is evil, or the false sale of easy happiness, it is in it that the charlatans of philosophy, faith and even science without “label” rely.
The Death of Empedocles, an unfinished play, where Hölderlin worked from 1797 to 1799, in his poetic texts from this period, where he thought about the essence of the tragic is marked by a great antagonism, but above all the unification of antagonism with contradiction, where he makes it clear that the theme should be “the true modern tragedy”, perhaps not during the two tragic wars we face, but now in an endless pandemic.
In his analysis, Empedocles hates civilization, is a mortal enemy of limited human existence, cannot bear to live under time, suffers for not being a god, for not being in close union with the whole, and for a need that stems from his being deeper, I decide to die by throwing myself into the volcano.
He is less of a liar than the real ones of simple formulas for happiness, but tragic that he wants to be a god himself and that he would be more “noble” than to admit a God, killed not by tragedy, but by German idealism, after all from Fichte to Schelling, the great expression that transgresses the limit imposed by Kant on human knowledge, when considering all intuition, that which is sensitive to objects, becomes intellectual intuition and artistic intuition, being able to give an immediate knowledge to the absolute, of possibility revelations that are directed to the whole.
So in the essay “Foundation for Empedocles” says that tragedy is the expression of the “deepest intimate unity” that is exposed by real oppositions, the idea owes not only much to Schelling’s analysis, which defines the Greek tragedy as a reconciling presentation of contradictions of reason, but anticipates the Hegelian view of the tragic poem as a presentation of the “tragedy that the absolute eternally stages with itself”, but the absolute here is vague, ideal. In the “foundation for Empedocles”, Hölderling explains how the harmonious opposition between art and nature takes place, presenting the process by which nature becomes more organic and man, more agorgic, more universal.
The concept of aorgic here is fundamental, and the reading here is by Françoise Dastur “Hölderling, tragedy and modernity” where he defines it as “it is nature without organicity in its infinite uniqueness”.
The organic is the art, which supposes, on the contrary, organization and, therefore, opposition from the parties”.
In the aorgic relationship that can be found the pandemic, the culprit is ultimately the virus, the control of the virus is questionable until you have the vaccine, we were in favor of social isolation and at certain times of #LockDown, however it is in nature devoid of organicity, a virus that until then was foreign to the man who altered it and became hominating, putting the civilizing process in check, and nature seems to fight back what humanity proposed.
Hölderling, Friedrich. (2008) The dead of Empedocles A Mourning-Play. NY: State University of New York.
The dark night of humanity
04
Aug
Watching political debates or even relevant issues of public life, a brief look at
culture and religion, any angle that looks at the moment aggravated by the pandemic, it is relevant to point out the confused features of this civilizing moment.
It is a fact that we have already been through another pandemic, in frightening numbers the so-called “Spanish flu” in the middle of the 1st. world war, it was a great and humanitarian disaster that challenged humanity, and even then came the second war, the concentration camps and the Hiroshima bomb, but the contours of this moment seem even more serious, there is a crisis of thought.
What can be observed are phrases made with a doubtful impact, appeals to impossible optimism in the face of the pandemic scenario or the hope “after all this is over”, however as the vaccine does not reach reality it imposes it, even on the wise on duty a little sobriety, but still without the solidarity and humanity that would be desirable.
The crisis of thought already pointed out by Edgar Morin, Nicolescu Barsarab and many others, in addition to the scientific and technical debate, is the difficulty of composing elements that should go beyond the limits of specialties to solve problems beyond the disease, the social and the religious, to tackle the problem together would require an overall view and not an impoverished disciplinary view of specialists.
When less is seen by pure and simple analysis, the darker this night becomes, the foundations lost, even if the civilizing foundations can be overcome: the Greek culture, the Judeo-Christian religiosity that so many scholars had, also the Islamic with Avicenna, Averroes, Al-Khwarismi and more recently Abdus Salam, who won the Nobel Prize in Physics in 1979.
Science is still strongly linked to the positivism and logicism of two centuries ago, while Karl Popper, Tomas Kuhn or Bachelard are still little known and confined in circles of “experts of the scientific method” which indicates a shallow reading of these questioners of conventional science.
The last century gave us Gustave Klimpt, Pablo Picasso, Henri Matisse, Salvador Dali, the bold architecture of Antoni Gaudi, by Brazilian Oscar Niemeyer, but the straight façades, the abuse of glass and crystals that appear for the first time in the Crystal Palace (photo), English architectural structure of the 19th century that invoked a recreation center for “education of the people”, cited by Sloterdijk and his disciple Byung Chul Han as representative of current architecture, as centers of consumption and “an architectural form was proclaimed as the key to capitalism . condition of the world ”(SLOTERDIJK, 2005, P. 279).
The Creator’s greatness and daily novelty are a stark contrast to repetitive, outdated religions that say nothing to the world today, about the pandemic oscillating between simple adherence to current discourse to models of solidarity and defense of life that are too fragile for tragedy pandemic.
SLOTERIJK, P. Crystal Palace, Chapter 33 of in Globalen Inneren Raum des Kapitals: Für eine philosophische Theorie der Globalisierung (In the Global Inner Space of Capital: For a Philosophical Theory of Globalization). Frankfurt am Main: Suhrkamp, 2005, pg. 265-276.
The historical origin of hiding pandemic data
03
Aug
The idea of hiding data about the pandemic had already occurred in the Spanish flu,
which received this name only for political reasons since Spain remained neutral during the First World War, the original name was trench flu because it affected many soldiers and weakened some armies.
The idea of hiding the disease was even supported by prestigious institutions, such as the Royal Academy of Medicine in London, until the end and 1918 few believed in the flu.
The name of Spanish influenza is also old, Brazilian newspapers (there was an article from the magazine A Careta, n. 537) used the name but as now the beginning of the fight against the disease was troubled, and the coercive measures defended by the sanitary Oswaldo Cruz were seen as a sanitary tyranny in the country and political groups opposed to the Wenceslau Braz (see the Brazilian daily) government saw the flu as a government pretext for intervention in the lives of the population.
Political use has also been made, but at this serious moment in history, it is desirable that true humanitarian spirits disarm themselves to defend the lives of the population, the action of doctors, aid groups and efforts for the vaccine.
The insistence on polarizing in such a tragic moment reveals only the decadence of the most expensive values of compassion and solidarity, even by groups that should be more committed to joining efforts, and curiously we find even those on the other side of both solidarity and those seeking divert attention from the real enemy: the pandemic that affects everyone.
In the country, lost the opportunity to do a #lockDown when the disease was still located in some regions, now it has spread throughout the country and only the measures already known should continue to be adopted, I see medical teams and support services reaching depletion , the cases of infection of this true heroes continue to grow.
What is new is a worldwide tension in truly worrying limits, the departure from abandoning the basic foundations of society and attitudes that vary between conformism and the simple abandonment of any measure of protection and social isolation, such as the march of thousands of people in Germany.
The levels of the pandemic in Brazil remain stable, neither is it true that the pandemic is under control, nor is it true that there is a genocide in the country, simply the measures that could be taken were not, and time passed and the disease spread.
We are left with the hope of the vaccine, that of Oxford, one of the most reliable due to scientific criteria, the transparency of the working scientists (a detailed article was published in The Lancet magazine) and the rigor of the vaccine’s release stages, without being hit.
The post-pandemic is frightening because there are no attitudes of sobriety and balance even in conscious sectors of society, the impression of a humanism that is more political than true.
Ignoramus et ignorabimus
30
Jun
The phrase of the German physiologist Emil du Bois-Reymond in his work meant
that in his Über die Grenzen des Naturerkennens meaning that in scientific knowledge there was ignorance and the Latin translation is ignored and we will ignore.
The first big reaction would come from David Hibert in 1930 when he said: “We need to know and we will know”, said at an annual meeting of the Society of German Scientists and Doctors, but at a round table at a Conference on Epistemology, Kurt Gödel provisionally announced his incompleteness theorem, which showed that elementary axiomatic systems are self-contradictory and contain logical propositions that are impossible to prove or disprove.
At a conference of mathematicians in Paris in 1900 he had announced the famous 23 problems that mathematics was supposed to solve, including the famous incompleteness theorem that would prove that a mathematical system is either complete or open.
However, the biggest problem was closing the questions around mathematical theorems and axioms, and the next big debate is the difference between human and social systems on the one hand, and systems of nature, physical or mathematical on the other.
So if we say that 2 plus 2 is four and this is accurate, it means that we are in the field of mathematics, just as geometric figures can be perfect, no “natural” system is exactly perfect, planets are not exactly round, light and waves Electromagnetic waves do not walk in a straight line in the universe and neither is any natural surface perfectly flat.
What we ignore means that our system of interpretation is limited to certain models and metaphors that do not correspond exactly to nature, and on the social level not only is man extremely complex but the nature that is where the set of human relationships takes place is still more complex, since it is the sum of individual complexities.
The epitaph on the grave of David Hilbert is his famous phrase:
“Wir müssen wissen.
Wir werden wissen ”. (photo above)
Matris in gremio, blood relationship and aorgic
10
Jun
To understand Sloterdijk’s digression 10, it is necessary to understand its 
relationship with the tragedy, and a text that is certainly known to the philosopher is Hörderlin’s interpretation of the Greek tragedy Oedipus King of Sophocles, where he uses the aorgic term for the search for Epic to know who it is, the more it seeks the less conscious consciousness it becomes towards tragedy.
The tragedy is that father Laio, had heard from the oracle at Delphi, that his son would kill him and marry his mother Jocasta, the king hands him over to a poor shepherd to kill him, but the shepherd raises him and then he goes stop at the hands of Polybius, king of Corinth who raised him as a son, but the tragedy is fulfilled and then Oedipus kills King Laius who was his real father and marries Jocasta when he becomes aware of the blind truth, the tragedy has more details, here it is only to understand the aorgic.
However, Sloterdijk reverses this story and resumes Christian Mariology, in his tour 10 Matris in gremio (mother’s lap or lap), where after analyzing the text De humanitae conditionis in miseria by Lotário de Segni (1160-1216) that would later become if Pope Innocence III, who says that the liquid that would feed the child is the same as the menstruation that would be interrupted with pregnancy.
Sloterdijk, even though he does not believe that there are religions (so he does not have this question), will say “there is no doubt that Jesus, even in gremio, must have been provided with a different diet plan” (Sloterdijk, 2016, p. 557), and will use Question 31 from the third book of the Summa Teologica de Aquinas.
Aquinas’ argument is that “not even a better blood would have been enough to generate the body of Christ, because, by mixing with human semen, it becomes generally impure” (idem), and “… the communion of Jesus with on the contrary, the mother should be realized through blood that deserves to be classified as particularly chaste and pure ”, and quotes Tomás:
“… Because, by the action of the Holy Spirit, this blood is collected from the Virgin’s lap and formed into a fetus. That is why it is said that the body of Christ was formed by the most chaste and pure blood of the virgin.” (Aquino, Suma Theológica III, 31, 5, 3, SP: Loyola, 2001-2002).
Before Tomas de Aquinas, John Damasceno, who has already spoken of the Trinitarian pericoresis, will take this blood relationship between Maria and her fetus to the extreme, quoted by Sloterdijk: “Given that pericoresis always implies the primacy of the relationship over the outside place or precisely because the relationship itself founds the place where those who interpenetrate were found, Mary’s body cannot be buried after death in a usual way ”(SLOTERDIJK, 2016, p. 558).
And so the idea was born that Mary was taken to heaven, but it is also the birth 11 centuries before being accepted, the dogma of her Immaculate Conception (which by popular use became Conceição), thus “it is the very matrix of God who miraculously offered the sculptor the material of his sculpture, and to God the material to become a man… ” (Damasceno apud Sloterdijk, 2016, p. 558), which thus pre-announces the aorgic action of Mary with Jesus and God-Father, as a pericoresis in extremis (in the photo, also used by Sloterdijk, Virgin with Overture, late 14th century, Cluny Museum in Paris).
SLOTERDIJK, P. (2014) Bubbles: Spheres Volume I: Microspherology. UK: Semiotext(e).
Translatio studiorum and writing techniques
03
Jun
The long period that went from the beginning
of registered writing, scriptura, until the appearance of copyists, called mixed orality, is called translatio studiorum, where writing itself will undergo many technical variations, and in them stand out São Jerônimo who compiled and elaborated the first version of the Bible.
During this period, the so-called Cappadocian priests stand out, Gregorio de Nissa (335, died in 394), his brother Basilio the Great, and Gregório de Nazianzeno, whose writing is important for what both Hannah Arendt and Byung Chull Han will analyze in the vita active, and here the information is linked in times of new media, but it will be done during the week.
Translation Studiorum, period of transfer of knowledge, from one era to another when the techniques of culture are changing, and thus their anthropotechnics, between different cultures and religions, especially in the West and the Middle East, where there is the culture of the original of the book of three great Abrahamic religions (comes from Father Abraham), the Koran, the Torah and the Bible.
The translatio thus corresponds to the period of peak and decadence of Greek-Christian thought, which has more links than is apparent, and which would be preserved and would continue in the Western world in the form of a dominant and influential philosophical and Trinitarian and Neoplatonic doctrine.
De Trinitate de Saint Augustine is as revealing as his popular book Confessions, and Plotinus’ influence cannot be denied, nor can it be overvalued, it is not denied because Plotino’s conception of One of the soul is essential, and overvalued because Augustine’s conversion displaces him from Plato’s deontological center, Sumo Bem, to the ontological: the person and Trinitarian of Christian thought.
However, Cappadocian priests bring concepts that can be explored in the light of current thinking, Ousía (οὐσία, correct pronunciation is “ouceea”), is translated a noun from the Greek language giving rise to essence and substance, but semse feminine and conjugation in the present participle of the verb “to be”, the Heideggerian interpretation is “present” or present (being-present).
We will also explore the meaning of the word hypostasis, from the Greek prosopon, it comes from Greek theology with the meaning of person, and in conjunction with ousia it gives a meaning to the Trinitarian.
The pandemic and the sign of Jonah
14
May
Nínive (present-day Mossum) was one of the largest cities during the Assyrian
reign, by the standards of the time it had more than 100,000 inhabitants and was quite extensive since the Bible reveals that Jonas took 3 days to explore it and ask for the change of conduct of its inhabitants.
The date on which the preaching took place in Nineveh is uncertain and the author of the book that bears the name of this prophet is also unknown, but as it refers to the reign of Jeroboam II as king of Israel, the date must be between the years 700 and 742 BC, by writing the text in Aramaic typical of late Hebrew, both in style and in grammar, it is post-exile which means between 722 and 742 BC
From the end of the 17th century BC (when the Neoassirian Empire fell), until the middle of the 7th century, it was a geopolitical entity, ruled by other peoples, the Assyrians were known for their wickedness and violence, where they could even kill for debt, and the biblical narrative said that the prophet Jonah, who was to preach and ask for the change and conversion of the people, was afraid to do his mission.
It is not known for sure what was the plague that could come to the people there, but the people including the king all changed their attitude and converted, and the plague did not happen in that region, the current pandemic already has its sign of changing habits and the demand for solidarity with everyone, but there are still those who think that the pandemic will pass without any change in attitude.
The history books do not record exactly what the change was, but it was during the government of Assurbanipal, son Assaradão, who died in 667 BC, that Assiria lived its most profitable period, including the first Library of history, precisely the Library of Nineveh, which is where thousands of texts are found (chronicles, royal letters, decrees, religion, myths and many others) written on a baked clay tablet.
The change that we need not only to avoid the number of deaths that grows, ranges from personal habits to the concern with food and life maintenance of those who no longer had jobs, those who now do not have and those who must lose with the growth of pandemic.
For those who believe, they must also rethink what they believe and experience what they believe, otherwise it is just a legend or fable told as a beautiful story.
The golden book
11
Mar
Written in 1962 and considered one of the great novels of the 20th century, the 
Golden Book (O Caderno Dourado in Spanish, in the photo), tells the story of Anna Wulf, a writer immersed in a personal crisis who decides to tell her story, from the black book for his literary life when he lived in South Africa, the red book on his left-wing political activism, the yellow his emotional life and the blue his daily life.
Doris Lessing, who won the Nobel Prize for Literature at the age of 85 (2007) when she expected nothing more, herself made a joke about it, but the recognition was deserved and little is known today of this consequent feminist and who refused to adhere to fashions and conjunctures followed his struggle.
Themes such as friendship, motherhood and sexuality have much deeper tones and outlines in this author, in novels such as “As grandmothers” (2007) where old age is seen in a different light, especially for women, or about politics in its book “The sweetest dream” that she suggests as an autobiographical one, and that reflects deeply on her humanitarian vision.
But if I had to highlight a novel by her, my favorite of the youth “Prisons we choose to live in” (1987), it attacks in a subtle and extraordinary way the question of political rhetoric (or what was decided to be politically correct) where it instigates individuals to come out of social constraints and build a better world, in fact and above everyday fashion.
He does not fail to attack in this novel ignorance and the lack of personal responsibility in the desire for applause and mere repetition of mottos, how current his speech would be, anticipating the times, because it was precisely because of the excess of rhetoric and the absence of concrete acts that we fell into pitfalls and we help contemporary ignorance and demagogy.
His sentence that seems to sum up his thinking was: “I cannot and will not hurt my conscience just to adhere to the fashion of the day”, and he said this not for conservatives, but for the apparently advanced positions of his time that were not directed towards attitudes concrete.
