Blog Marcos L. Mucheroni Filosofia, Noosfera e cibercultura

Korean-German philosopher Byung-Chul Han says: “Today we live in a post-narrative time.  Not narrative [Erzählung], but counting [Zählung] determines our lives.” (Han, 2023, p. 48).

To better understand this sentence, just for didactic purposes we have categorized the literary genre into 3: narrative or epic, lyrical and dramatic, the narrative is linked to the “telling” (zählung) of a story and therefore not should be confused with the actual narratives (Erzählung, in German), see that they are differentiated by the prefix “Er”, so the telling must have a narrator, a plot, the characters in time and space, that is, in a context.

Lyric is also a genre that refers to texts with subjectivity and connotations, they can be in prose or verse, but they are also a different type of storytelling from modern narratives, many authors complain about the lack of poetry, and Heidegger pointed out that this is another function of language.

The dramatic text is also a genre in which acts, scenes, rubrics and lines are presented, so it is part of a theatrical form or a-presentation, in the sense that the presentation is both a telling of a story and its negation, since it involves fiction.

The dispute between nominalists and realists in the lower middle ages (11th to 14th centuries) ended up neglecting the importance of language, but the linguistic turn of the late 19th century brought its importance back to the forefront.

The beginning of modernity is marked by the rupture between the metaphysical function of language and the use of objectivity as a mode of expression, but this is only one of the functions of language. The Russian linguist Roman Jacobson recalls the functions: phatic, poetic, conative and metalinguistic, in which modern codes are inserted, for example: Morse, digital and quantum, where “the code explains the code itself, that is, the language explains the language itself”, and this must be the only context where the concepts of sender/receiver apply.

The linguistic turn occurs in the midst of the crisis of idealist and positivist thinking in modernity: Husserl, Heidegger, Hanna Arendt are fundamental, although they are most remembered: Noam Chomsky, Mikhail Bakhtin, Michel Foucault and Ferdinand de Saussure.

Returning to Byung-Chul Han’s initial quote: “Narrative is the capacity of the spirit to overcome the contingency of the body”, this capacity to overcome the contingency of the body is linked not only to the memory of poetic and conative language, but also to the spiritual meanings and values that modernity has abandoned under the pretext of creating an “objective” vision.

The telling of the stories of peoples, their cultures and religions are thus key factors in overcoming such a dramatic moment in the history of communication, where communication itself, the fruit of millennia of evolution in human culture, seems to be in question.

Proclaiming words, stories and beliefs is a universal right, attempts to prevent these rights is not only a motivation for divisions and hatred, it is fuel for wars.