Language, speaking and native culture
19
Jan
In the work of Heidegger: Hölderlin and the essence of poetry, 
read in Heidegger (1992) speaks of the essence of poetry as a type of primordial language, an original speech that precedes and makes possible the common language, the communication, this refers to an unprecedented fusion of horizons in language and language, classically defines language as: “it is an organized set of elements (sounds and gestures) that enable the communication of a given nation or culture”, while language would encompass a broader set that includes the ability of human beings to develop and understand the language, as if it were possible to dissociate it from contexts, cultures and forms of communication linked to culture.
The common language in which a certain original culture is communicated, keeps its own forms of a linguistic code that is necessary for each original language and develops in a creative way in order to preserve it, this speech (or word) is said to be that one. who names the gods, and does so to respond to a cultural appeal.
If in the past narratives included myths, symbols and poetic hooks to connect the narrative, today it is no different, there is always in speech some belief and some fantasy, without which poetic language would be a mere exercise in rhetoric, and it is not, and this appeal to fantasy, imagination and the transcendent is part of the human and the divine.
Wanting all speech to be pragmatic and objective is to reduce it to the context of pure formal logic, scientific exercise also often needs some exercise in the beyond, in the imagination to find answers that are not just there as a logical equation.
It is not pure daydreaming, beliefs and imaginaries have always been part of human history, it is a just desire to go further, to seek higher flights and to imagine as possible something beyond the boring and heavy day to day, even though it may contain joys. and flavors, the threshold of openness to different original cultures cannot be linked only to objective and simple realism.
In the photo above, a syncretic church built in Kazan, started in 1992, therefore, in the post-Soviet period, capital of Tatarstan (Russian Republic, but with a totally different culture) where, even with the predominance of Islam followed by the Orthodox Church, it is at the same time a symbol of resistance to the Russian linguistic complex and capable of building a work of such great significance where different religions can express themselves, an eclectic work by the architect Ildar Khanov.
HEIDEGGER, M. (1992) Arte y poesía. Argentina, Buenos Aires: Fondo de Cultura Económica.
