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The Philosophy of Michel Serres

06 Jun

I have always been impressed by Serres’s philosophy, but I could not make a synthesis, at first it seemed physical, sometimes metaphysical, sometimes chaotic, sometimes logical-mathematical, sometimes organized and schematic, other times poetic and chaotic.

It was his death, and the impossibility of saying new things through his mouth that made a synthesis, perhaps because he will never write, because whenever he wrote there was something new, there was light to each new work he wrote. In his text body variations clarifies his choice of character Harlequin: “Why does Harlequin wear cloths mingled, inlaid, striped, stained?

Because he imitated everyone and his masters, he acquired form and color from them. The density and depth of his clothes and the surface mosaic of his cape provide a certain idea of ​​the immense body memory. (…) By stripping and re-establishing them, Harlequin remembers the gestures (of the people, in the sense of masks or disguises) that the body schema stores. “(Serres, 2004, 79).

Serres’s philosophy is light and at the same time new, for him learning is invention, as philosophy is (Serres, 1991: 27), thus creating the figure of the “learned third”, which for one who starts from the mathematical logic, is precisely a rupture because between the A and the non-A, there is a third possibility: the learned one.

It thus creates the pedagogical society, for which it predicts a revolution in education, with information in full circulation because of new technologies, wrote this in 1997. Michel Serres is a leading philosopher, there is still no pedagogy that has a direct influence on the new type of pedagogical practice that the new technologies provide, his concept and miscegenation, of continuous learning has much to add to anyone who seriously studies the new paths of education.

It is necessary that a southpaw leans to the right and that the right hand to the left in order to awaken a certain animal stillness, which seems more prone to the mortal, which he calls “mortal sleep” and to warm each one.

It is necessary that the southpaw leans to the right and the right hand to the left in order to awaken thus from their animal stillness or their mortal slumber, to warm their paralysis, from which may arise a “learned third.”

Thank you Serres, go in peace to your “Legend of the Angels”, they wait you. 

References:

Serres, Michel. Variações do Corpo (Variations on the Body). Rio de Janeiro: Bertrand Brasil, 2004.

________. O Contrato Natural (The natural contract). Translation by Beatriz Sioux. Rio de Janeiro: Nova Fronteira, 1991.

 

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