Blog Marcos L. Mucheroni Filosofia, Noosfera e cibercultura

The Greek tragedy Oedipus Rei was analyzed by the poet Hölderlin, where he uses the term aorgic for the search that Oedipus does to know that it is, since it was donated to a pastor by father Laius to raise him, to avoid the tragedy predicted by the oracle Delphi, and to complete the tragedy Oedipus ends up marrying his own mother.

The term aorgic here is used to understand the corruption of human nature, and it can have a new meaning with each new human tragedy, it is Hölderlin’s sense when saying that “where there is fear there is salvation”, we must fear not only the pandemic that has already it is a disaster, but what can come from inhuman and agonizing after this tragedy.

There is no lack of apocalyptics, however the interesting thing would be to think beyond the tragedy and invert the role of Jocasta for a mother who defends and wants her children safe and sound, and so in a human reinvention we would look not at Eve of human creation, but at Mary who gave birth to the divine son.

It is not only religious prejudice that deviates from this deep sense of human fertility and motherhood, it is the relevance of the role of women in the background, Hölderlin’s analysis involves the paradoxes that commonly constitute the tragic, such as the human and the divine, and the poetic task of modernity as a possible task for any and all poetry, so its cultural plan cannot eliminate the tragic, but must also include the divine.

It is this misogyny of the human to the divine that denies any and all roles of women, Mary should be only a religious theme, but also the divine linked to the tragic, Pietá although remembered and revisited by so many authors, hides the role of the desolate mother before the a faint son, also Salvador Dali in his painting Christus Hypercubus places a female figure at the foot of the four-dimensional Christus, inspired by his wife.

Christians are ignored by the biblical passage of the evangelist Luke (Lk 1,43): “How can I deserve that the mother of my Lord comes to visit me”, and the Lord in this case is not only the divine-human son who will be born of Mary , but also the Lord God of Mary and Isabella, who says this “full of the Holy Spirit” (Lk 1,41), so the relationship is Trinitarian and aorgic, after all the Christmas event is wrapped up in the mystery of the laws of the universe that over it acted.

In the midst of the pandemic it would be extraordinary if the same mother of Pietá was with humanity in her lap (Matris in gremio) and could, in a tragic and divine inspiration, help the humanity that faints and sees an increasingly darker future ahead, the mysteries of Medjugorje and Garabandal (mysterious appearances) may not only be children’s fantasies (today all adults), but the divine revelation about the human tragic, if only it is true, where there is fear, there is salvation.