Deceleration and the technique
18
Jul
After convincingly criticizing Baudrillard and categorically asserting that “mere speed
does not suppose great influence on the production of historical sense” (page. 36), goes back to the easy critique of technology.
What counts above all is the instability of the trajectory, the disappearance of one’s own gravitation, irritationen or temporal oscillations. “(Page 36), Byung-Chul Han yields to Baudrillard’s temptation that modern technology is responsible for this Well, but what is the origin of this?
Baudrillard’s Culture and Simulation book is from the 1970s, the internet was born with academic users, and Freud’s civilization was in the 1930s, not to mention Nietzsche who passed away at the beginning of the last century, more precisely on August 25, 1900.
Therefore, it is necessary to return to Han’s earlier arguments which are more solid, “acceleration is not the only plausible explanation of the disappearance of meaning” (page 35), and the expression “atoms of meaning” also leads to an error, because the sense is not nuclear “(idem), takes a small step in the right direction:” rest is not caused by the acceleration and the movement of exchanges, but by the no-if-know-to-where “(page 38) , a lack of goals.
He will also criticize Bauman, for whom modern man is a pilgrim in the desert, who practices a “life on the way” (page 43), and at a glance returns to the meaning affirming “secularization does not entail a demarcation (Demarratovosoerimg)”, but goes back and says that modernity continues to be a narrative, but the printed culture and reproduction does not have the mythical and eschatological character of oral culture, is another narrative, the romantic, Gadamer has already clarified.
The criticism of technique and technical progress is the common temptation, to point out it as religious is at least contradictory since it is the legitimate heir of the lights and reason, it is not history as a history of salvation, but as romantic historical determinism the fashion of Dilthey.
The immersion in digital culture, or in cyberculture, did not deterritorialize (radio, TV and the cinema did it before) nor secularized, those who made it were the lights and financial capital that recognizes neither country nor place, the narrative that omits the process of production of videos, images, photographs and also digital code all over the planet is not only a technical or technological inversion, it is a cultural inversion, thanks to them cultures and people have been reborn.
It is not necessary to walk the world, because the world walks by you, and this is what stimulates young people to know other countries and places, rooted country that is anti-evolutionary and conservative, man walked the world before fixing borders, who fixed the empires, which now erect walls and speeches radical patriarchs, the world is already a global village, what there is now is a nostalgic feeling of a world that never returns
