Between fantasy and imaginary
19
Feb
The imaginary is part of popular culture and tradition, countless cultures express 
themselves, seem myths and fantasies were from reality, but it differs from this in having an original source, that is, being part of a culture and expression of desires and perspectives cultural aspects of a people.
What Droysen, Heidegger and Gadamer speculated about romantic historicism, which Dilthey elaborated, is nothing but fantasy historicism, the future as a pure unrealizable dream while the future to come is part of the cultural tradition and that is why dialogue with tradition is necessary.
Fantasy is initially an attempt to escape, the absence of dialogue not in the prosaic sense of listening to the Other, of accepting difference, but of truly understanding and dialoguing by entering into the concepts and perspectives present in tradition, without understanding it, we listen and not the dialogue, the dialogue that Martin Buber, Paulo Freire and even Bakhtin spoke about.
The fantasies represent delusions of the soul, uncontrollable compulsive desires, and which often reach pathologies, it is not a childish fantasy of fairy tales or superheroes, these belong to the imaginary because the child still sees the future world as a possibility. The epic imaginary, both as historicism and as literature, highlights the deeds and glories, where the present appears as a result of a mythical past, but which is projected into the future, expresses the factual exaltation of memorable or extraordinary events.
The romantic imaginary is that of a lonely hero displaced in time, Don Quixote is a good expression of this imaginary, it represents a reaction to the philosophical saturation of determinism and rationalism, but he is stuck with the empirical sensory or the metaphors of the real.
These fantasies in general appeal to creativity, but say little about reality
