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Between heights and human smallness

12 Mar

Before achieving air travel, now space travel, man delighted in the heights of the mountains, the dizzying landscapes of peaks, gorges and paths in the heights that could contemplate the houses, cities and vegetation in the distance.

A text that talks about these sensations, and the beginning of Schopenhauer’s philosophy, was written by Rüdiger Safranski, author of renowned works on Heidegger and Nietzsche, who also wrote about the rebellious philosopher Arthur Schopenhauer in a work entitled: “Schopenhauer and the wildest years of philosophy” (Brazil, São Paulo: Geração Editorial, 2011).

In it the author tells of Schopenhauer’s experience at the age of 16 when he climbed Mount Pilatus (near Lucerne, Switzerland) in the company of a mountain guide, the text says: “I felt vertigo when I first saw that encompassing space that I understood what was in front of me… I realized that such a panorama, seen from the top of the mountain, was so extraordinary that it led me to expand all my previous concepts. It is so different from everything else that it becomes impossible to give a real description of its scope for those who have not had the opportunity to see it.”

The text continues: “All smaller objects simply disappear, only greatness can be understood as a whole. All things mix with each other; one no longer sees a smaller number of isolated objects, but an immense, colorful, brilliant image, on which the gaze lingers for a long time, full of pleasure”, our highlight.

Safranski’s sagacity in describing the philosopher is important to understand how he sees beauty and the world, he no longer sees “isolated objects”, but in the eyes we become only “the eyes” on an “immense, colorful and brilliant image”.

He tells of another strong experience, but this one more “human”, when on July 30, 1804, when the great journey was already approaching its end, he climbed the Scheekopp mountain (The Snow Peak), in Silesia, then German, but today in Poland. The very old photo above is from this region, in this region when climbing the mountain they had to stop for the night in a cabin on an intermediate plateau, at the foot of the highest peak of the mountain (it´s in the background).

He says about this experience “we entered a unique room full of drunken shepherds… Their animalistic heat was unbearable… it produced a burning heat”, says Safranski of the passage that “it was from here that Schopenhauer took his later metaphor of the porcupines that they pushed themselves against each other to defend themselves from the cold and fear”, Schopenhauer’s readers will understand the image that somehow permeates his speech.

There is merit in Schopenhauer for removing all idealism and romanticism from the philosophical and literary reading of his time, his vision of seeing objects “from above” made him escape from idealism, but his vision of men is pessimistic and the metaphor of hedgehogs demonstrates this.

On a frame in the hut where a book is attached to write down memories, is what was written by Schopenhauer: “Who can rise above the mountains and then remain silent?”

However, the discoveries of post-idealism, post-Enlightenment are that the Cosmos is larger and enigmatic.

 

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