Blog Marcos L. Mucheroni Filosofia, Noosfera e cibercultura

José Saramago (1922-2010), in addition to his famous bookEssay on Blindness, written in 1995 and which later became a film directed by Brazilian Fernando Meirelles and scripted by Don McKellar, wrote many other novels: O memorial do convento (adapted from an opera), The Gospel According to Jesus Christ, Essay on lucidity, and many others, I highlight here As Intermitências da Morte (2005).

In 1998, he received the Nobel Prize for Literature, but two works seem prophetic for today: The essay on blindness, which we have already posted, and the Intermitências da Morte.

Skeptical and ironic, Saramago did not fail to notice the dramas of our time, but the unexpected way it ends. Lucidity, I would say using the Heideggerian metaphor that clearing is possible if we penetrate the existential drama of life.

In The Intermittencies of Death, he penetrates into the existential dramas of life, as a religious skeptic, he will also mock the outputs with an answer “from above”, that is, transfer to “another world” our permanently mundane dramas, among them, what it’s life itself.

He says in a passage on page 123: “It is possible that only a painstaking education, one of those that is already becoming rare, along, perhaps, with the more or less superstitious respect that in timid souls the written word usually instills, has led readers, although they were not lacking in reasons to manifest explicit signs of ill contained impatience, not to interrupt what we have been reporting so profusely and to want to be told what it is that, in the meantime, death has been doing since the fatal night when it announced the your return.” (in the photo a picture of Gustav Klimt’s painting).

After inquiring in every book about life, something unusual these days, because all you want is a return to frivolity, the normality of emptiness, the absence of life, consumption and false joys, the author will say in end of the book that death is normality, said like this:

“He stayed in his room all day, had lunch and dinner at the hotel. Watched television until late. Then he got into bed and turned off the light. Didn’t sleep. Death never sleeps.” (Saramago, 2005, p. 189).

And he concludes that his common irony in times when the pandemic was not even dreamed of (his pandemic was The Essay on Blindness), he says about death: “(…) I don’t understand anything, talking to you is the same as having fallen into a labyrinth without doors, Now that’s an excellent definition of life, You’re not life, I’m much less complicated than it, (…)” (Saramago, 2005, p. 198). Oh what a pity, a pity even that Saramago had never believed in a true life, this disbelief is also in all his work, especially “The Gospel According to Jesus Christ” (1991), but at least he was not indifferent to the theme, something “bothered him”.

SARAMAGO, José. (2005) The intermittence of death. Brazil, São Paulo: Companhia das Letras.