My darks of the 2018 Oscar
Mudbound, Tears on the Mississippi is one of my favorites, of course not yet released in Brazil (scheduled for February 22), but the theme attracts me and perhaps also get ahead by addressing the unprecedented theme of racism and feminism during 2nd World War, has in the cast: Garrett Hedlund, Jason Mitchell and Carey Mulligan.
One of the good old films forgotten last year was The Lobster from the Greek Yorgos Lanthimos, perhaps being one of the writers and directors of the most creative contemporary filmmakers, now with a family drama may have some chance, with a partnership with Colin Farrell in this new mix of drama and suspense, about a surgeon and his wife (Nicole Kidman), transforming the life of a troubled family, the Sacrifice of the Sacred Deer is scheduled to launch in Brazil on February 8.
A film that may surprise, is The King of the Show, by unknown director Michael Gracey, a digital effects expert, but the film is about a circus that charmed the US Barnum & Bailey, just the story of PT Barnum with good actors Rebecca Ferguson, Michelle Williams, with the special effects and the visual of the time is a good promise.
He was expecting something for Blade Runner 2049 (from director Ridley Scott), Harrison Ford repeating the role 35 years later, K (Ryan Goslind) and Joi (Ana de Armas) (photo), but the cult movie plus and box office less, has few chances, perhaps a tribute to the whole of the work for Harrison Ford, I continue to cheer, is an epic of fictions.
I am out of the Glamour of the best actors and actresses, directors and co-stars since the “white” Oscar of 2016, I consider the indications more politically correct and not artistically correct.